Continued from the other thread.
The Star Wars sequels are bad movies and Rey is a Mary Sue.
We're treading new ground here, I know.
It's not "cherry picked" when we have such a big basket of cherries. More like cherry grabbed. ANH and ESB both depict a Rebel Alliance that's almost exclusively human, male, and white. Go look through other scenes in the movies. The Rebs are about as diverse as the Empire in two-thirds of the OT.
I think some more women, aliens, and varied skin palettes would've better illustrated the Alliance's good guy status and more inclusive mindset, but oh well. At least they did in RotJ.
You're right, actually, "The OT doesn't bash you over the head with anything" is inaccurate of me.
The OT's head-bashed social message doesn't come at the expense of its quality.
(With the exception of ewoks defeating the Empire's finest troops, which Lucas thought sent a good message.)
And since the movie does it well nobody cares. Mon Mothma and Palpatine are well-written characters cast by good actors (within their campy space opera that's not high fucking art).
The good guy redeems the bad guy. The bad guy sacrifices himself to destroy the bigger bad guy. The other good guys turn a giant thing into a giant explosion.
It's not original but it's executed well, even if ANH and ESB execute stronger films.
Yeah, no argument there. Wookiees would have been more plausible and also could have given Chewie a bigger role in the film.
An odd complaint, considering he remembers to betray Vader.
By RotJ, Vader has served Palpatine for 23 years, more than enough time to either overthrow his master or get killed in the attempt if he were really serious about it. (Sure, he tempts Luke in ESB to overthrow the emperor with him, but he doesn't even try in RotJ when his master is close by.) Palpatine assumed Vader was a broken dog who had nothing left but service to his master. What he forgot was that Anakin only turned to the dark side to save his family, and seeing them in peril again could also bring him back to the light.
Vader didn't try to strike Palpatine down to seize power. He didn't try to preserve his own life. He let Palpatine fry him to death with Force lightning if that meant he could chuck the emperor down a bottomless pit, because he didn't care about his own life next to saving his son. Palpatine didn't believe Vader would make that kind of sacrifice, never saw it coming, and his error in judgment was appropriate. Evil could not comprehend good.
That's precisely how he needed to go down. Luke never defeats the emperor through force of arms despite being the hero. The only way he wins is by reaching the goodness inside Vader rather than striking his father down, against the advice of Obi-Wan (but not Yoda, who tellingly only says Luke must "confront" Vader).
It's a hell of a better story than Rey using two lightsabers to shoot lightning back onto Palpy's head.
Ah yes, the time honored, "You think Rey is a badly written character, and you think Disney's social agenda caused them to write her badly, so you must be sexist," approach. Where it's impossible to think writers could've had a laudable agenda (female lead after two male leads), but that their preconceptions about strong female leads (the female lead must be flawless to be strong) caused them to execute their agenda badly and at the character's expense. You are either on the right side and do not believe Rey is a Mary Sue, or you believe she is a Mary Sue and are a sexist.
But let's see. The character demonstrates unrealistically powerful abilities relative to her role in the story, demonstrates no significant flaws, faces no significant setbacks, is liked and respected when she shouldn't be, lays the smackdown on her own Jedi master, undergoes no significant character arc because she doesn't need one... that fits a Mary Sue.
The writers made Rey a virtually flawless character because of her gender.
Luke's character arc is compelling because he makes real mistakes, suffers harsh consequences, and doesn't always get to be the big damn hero. ESB ends with him getting symbolically castrated and saved by the people he thought he was going to save.
Call me cynical, but that would not fly with a female lead in the Disney writers' room. It would make Rey look "weak." Disney would get accused of sexism. The Twitter mobs would howl in endless outrage if Kylo chopped off Rey's hand in the grand tradition of Star Wars de-limbing, and people had to wait two years for another movie before seeing the bad guy get comeuppance. Rey has to always be the best at everything, because Disney thinks that is the only (or most financially profitable?) way to write strong female protagonists.
So because the sequels did well with audiences, they have to be good movies? The Force Awakens and The Phantom Menace raked in more dollars than ESB, even adjusted for inflation. Does that make them better films?
Objective quality exists. The sequels have some good elements but are predominately schlock.
Source, please. That JJ Abrams wasn't just the first person in the room to pitch the idea, and that crafting a feminist icon wasn't part of Disney's agenda.
It's too bad he couldn't write a decent one. That tends to silence critics who aren't sexists.
The Star Wars sequels are bad movies and Rey is a Mary Sue.
We're treading new ground here, I know.
Originally posted by Heavy Arms
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I think some more women, aliens, and varied skin palettes would've better illustrated the Alliance's good guy status and more inclusive mindset, but oh well. At least they did in RotJ.
Originally posted by Heavy Arms
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The OT's head-bashed social message doesn't come at the expense of its quality.
(With the exception of ewoks defeating the Empire's finest troops, which Lucas thought sent a good message.)
Originally posted by Heavy Arms
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Originally posted by Heavy Arms
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It's not original but it's executed well, even if ANH and ESB execute stronger films.
Originally posted by Heavy Arms
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Originally posted by Heavy Arms
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Originally posted by Heavy Arms
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Vader didn't try to strike Palpatine down to seize power. He didn't try to preserve his own life. He let Palpatine fry him to death with Force lightning if that meant he could chuck the emperor down a bottomless pit, because he didn't care about his own life next to saving his son. Palpatine didn't believe Vader would make that kind of sacrifice, never saw it coming, and his error in judgment was appropriate. Evil could not comprehend good.
Originally posted by Heavy Arms
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It's a hell of a better story than Rey using two lightsabers to shoot lightning back onto Palpy's head.
Originally posted by Heavy Arms
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But let's see. The character demonstrates unrealistically powerful abilities relative to her role in the story, demonstrates no significant flaws, faces no significant setbacks, is liked and respected when she shouldn't be, lays the smackdown on her own Jedi master, undergoes no significant character arc because she doesn't need one... that fits a Mary Sue.
Originally posted by Heavy Arms
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Luke's character arc is compelling because he makes real mistakes, suffers harsh consequences, and doesn't always get to be the big damn hero. ESB ends with him getting symbolically castrated and saved by the people he thought he was going to save.
Call me cynical, but that would not fly with a female lead in the Disney writers' room. It would make Rey look "weak." Disney would get accused of sexism. The Twitter mobs would howl in endless outrage if Kylo chopped off Rey's hand in the grand tradition of Star Wars de-limbing, and people had to wait two years for another movie before seeing the bad guy get comeuppance. Rey has to always be the best at everything, because Disney thinks that is the only (or most financially profitable?) way to write strong female protagonists.
Originally posted by Heavy Arms
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Objective quality exists. The sequels have some good elements but are predominately schlock.
Originally posted by Heavy Arms
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Originally posted by Heavy Arms
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