No announcement yet.

Fae Enitites

  • Filter
  • Time
  • Show
Clear All
new posts

  • Fae Enitites

    I thought I would give a list of creatures similar to the fae or a part of their mythology for ideas for kiths or Changeling characters.

    I was disappointed that there was no kith similar to or based on the Others/White Walkers. I was delighted to find that there IS a creature similar to to them in West Virginian lore.

    White Things, White Devils or Devil Dogs, most notably the Sheepsquatch, which appears on the show Mountain Monsters, are amongst the most historically infamous cryptids in West Virginia. Almost all White Things are described to have dog like features, but in different accounts, some are humanoid creatures like Bigfoot, demons or even prehistoric cats.
    "White creatures are well known to the mountain folk of West Virginia. Like black mystery dogs, they roam isolated in wooded areas. They appear in various shapes... impossibly large dog and a lion, and it was stark white with long shaggy hair. White Things are described also as resembling wolves, bears, cows, and even huge badgers. They are covered with long, shaggy,show-white or dirty white hair, and they often have immense jaws and fangs. They move at lightning speed, sometimes on two legs rather than four. Sometimes they seem to have 'too many legs.' Their chilling screams sound like a woman being raped or murdered. Whatever they are, they are bloodthirsty and attack without provocation. The attacks are so real that people actually 'feel' the beast's fangs tearing into their flesh. But when the attack is over they are shocked to find not a mark on their body. However the beasts rip up animals in the fashion of a werewolf, tearing out their throats and mutilating their bodies-and leave the corpses bloodless and without a trace of blood around...Like all mysterious creatures, there are variations in descriptions of White Things and even labels. Some of the white mystery beings are called 'White Devils,' for they have red eyes and long, sharp claws, and are able to walk and run upright. Some of these beasts have a connection to cemeteries, not an adversion, and thus are death-omen creatures."

    Cherokee Mythology
    "In Cherokee lore, the sudden appearance of a white wolf heralds a magic, premature death. Over time, the white wolf became a white dog in Appalachian lore. The dog is large and powerful in build, a handsome creature despite hair that is somewhat matted and unkempt. The dog shows up in roads, follows people home, and sits at a distance from dwellings as though waiting for someone...The white dog does indeed wait-not for a friend or a lost owner, but for a death. It is always seen by the person who is about to die, and sometimes by others who are close to the person. The dog is invisible to others. Once the white dog appears, the person is marked for death and dies tragically within a few days or two weeks.”

    Sheepsquatch, also known as the "White Thing", is a woolly-haired cryptid reported across numerous counties in West Virginia, predominantly within the southwestern region of the state. The counties with the most sightings are Boone, Kanawha, Putnam and Mason, with a surge in sightings taking place in Boone County during the mid-1990s.
    It is described as being a quadruped about the size of a bear, with entirely white wool-like fur. It has a long and pointed head, similar to a dog but with long, saber-like teeth and a single-pint set of horns not dissimilar from those found on a young goat. Its forelimbs end in paw-like hands, similar to those of a raccoon but larger, while its tail is long and hairless like that of an opossum. It is reputed to smell like sulfur, which has been attributed through folklore to the beast being born within the TNT Area in Mason County like one of the Mothman theories, though this is not likely and instead may be a musk scent gland similar to those found in many species in the order Carnivora such as weasels and skunks.


    In 1994, a former Navy seaman stated having witnessed the beast breaking through the forest, after ingesting a mound of shroom caps he found on the forest floor. The white thing breached, the brush line and knelt to drink from the creek. Here it drank for a few minutes before crossing the creek and continuing on toward the nearby road. The witness stated that they observed the animal for a while before it moved on into the surrounding brush.

    Within the same year, two children observed the creature while playing in their yard within Boone County. What they reported having observed looked like a large white bear yet in this case stood up on its hind legs, making it over six feet tall (presumably it did so in a manner similar to bears trying to observe as opposed to walking bipedally). Startled by the children, the beast ran off through the forest, breaking medium-sized limbs off of trees in its path.

    The creature was next spotted a year later, this time involving a car. A couple driving through Boone County observed a large white beast sitting in the ditch alongside the roadway. As many curious passersby might do in such a situation, they stopped their car to get a better look at it. They came to describe the creature again as mostly similar to earlier descriptions, yet they added that the creature had "four eyes". In stark contrast to the last sighting where the Sheepsquatch fled the scene, the creature leaped out of the ditch and started to attack the car. Frightened by the attack, the couple drove off quickly, and once they arrived back at home noticed large scratches on the side where the beast had attacked.
    Another incident in 1999 involved a couple of campers who were in the forest at night, again in Boone County, around a bonfire. They eventually heard an animal snorting and scuffling around the camp in a manner similar to an aggravated bear, though it did not come into the light of the campfire immediately.

    All of a sudden the Sheepsquatch suddenly charged out of the darkness at the campers. Reacting quickly, they jumped up and ran back into their house, all the while being pursued by the Sheepsquatch. The white thing stopped at the edge of the forest when they crossed it and let out a "terrible scream". It then turned around and headed back into the woods. The next morning, the campers returned to their campsite and the trail home, finding it to be torn up; they referred to it as "like someone had tilled it up for gardening”

    In Fulks Run, Virginia, the beast was spotted once again in the forests of Appalachia. The creature was spotted close to midnight by six campers, spending the night in the dense woods. The beast was reportedly 8-9 feet tall with a shoulder length of 4-5 feet. One of the campers first saw the beast at the top of the near by hill, in a crouching position. Then it stood up, and he alerted the other campers. Then it started running down the steep hill toward the campers, but they were separated by the river that was flowing through. They look in horror as it searched for a way to cross, and with no other option, began to wade through the river. It finally came out of the water, and the campers reported that it appeared like a bipedal dog in the chest, with its fur wet from the river crossing. Then a loud gut-based screech was heard about two miles off from where they were. Then the Sheepsquatch looked up in shock, just high enough so the moonlight was in its face, and the campers looked on in fear as it let out a pathetic whimper, then in a sprint, ran in the opposite direction of the noise. The campers quickly packed and left, then reported it to the locals, fearing that if the authorities were informed, they would be ridiculed. The identity of the campers is unknown as of March 2016.

    Spring-heeled Jack is an entity in English folklore of the Victorian era. The first claimed sighting of Spring-heeled Jack was in 1837.[1] Later sightings were reported all over Great Britain and were especially prevalent in suburban London, the Midlands and Scotland.[2]
    There are many theories about the nature and identity of Spring-heeled Jack. This urban legend was very popular in its time, due to the tales of his bizarre appearance and ability to make extraordinary leaps, to the point that he became the topic of several works of fiction.
    Spring-heeled Jack was described by people who claimed to have seen him as having a terrifying and frightful appearance, with diabolical physiognomy, clawed hands, and eyes that "resembled red balls of fire". One report claimed that, beneath a black cloak, he wore a helmet and a tight-fitting white garment like an oilskin. Many stories also mention a "Devil-like" aspect. Others said he was tall and thin, with the appearance of a gentleman. Several reports mention that he could breathe out blue and white flames and that he wore sharp metallic claws at his fingertips. At least two people claimed that he was able to speak comprehensible English.

    The Wendigo (also known as the Windigo, Windago, Witiko, Wee-tee-go, Wihtikow, Waindigo and several other variants) is a cannibalistic spirit resembling a zombie. In some forms, the Wendigo is the size of a human, while in others, it can be fifteen-feet-tall. The earliest description of the Wendigo was that of similar appearance to a corpse, with a skeleton-like, thin body with gray skin, sunken eyes, bloody lips, yellow fangs and a long, slimy tongue. Later myths say that the Wendigo is a lipless ape with giant fangs that devours human flesh. It can turn a person into a Wendigo, which was one of the worst curses to the Algonquian-speaking Native Americans of Canada.

    This creature was thought to be a human who had become a cannibal. Cannibalism then turned this human into a monster in more ways than one. This person would transform into a big hairy monster in order to eat even more people. This monster looked something like Bigfoot but was bigger, meaner and uglier. Usually, this was not a permanent transformation. The windigo generally became a shapeshifter, able to turn back into a man or woman at will, or it just transformed in the winter and returned to human when spring came.

    The characteristics ascribed to the monster form of the windigo varied a lot from one legend to the next, so it is hard to describe exactly what a windigo was like beyond a few basics that seemed to be fairly universal. The giant size is noted in most legends. Extreme hairiness is common too. The lips of this creature were often described as being too small to cover the enormous teeth. The windigo was very fast and strong. It usually had magic powers other than the ability to transform. The feet were often especially large. The creature often looked starved or had the rotting-corpse look that comes from losing parts of the skin to frostbite.
    Since the monster form of a windigo sounds like a really huge Bigfoot, there is a lot of discussion of windigo legends in books that are about Bigfoot. Windigo legends are one of the things that get used as justification for the current Bigfoot fad. If the fad started in the 1950s, as some critics say, then Bigfoot is less likely to be a real animal. If Bigfoot has been here all along, we would expect to meet him in old legends as well as in the latest sightings. The more credible creatures of cryptozoology tend to have a proven history. Thus, windigo legends are used (along with wildman folklore and old-time "gorilla" sightings) as a kind of background history for the Bigfoot fad.

    A Leshy is a spirit of the Slavic forests. They serve as the protectors of the various forests and its animals, having a close bond with gray wolves and often being accompanied by bears. They naturally are the form of a large human-looking being, but can shape-shift into any plant or animal. They have long hair and beards made of living grass and vines. In the center of a forest, they are a tree-like giant, who camouflage nicely with their long limbs, grassy eyebrows, and no detectable shadows. However, their eyes are always apparent, as they are very bright and green. As they wander away from the center of their forests, they grow smaller. By the time they have reached the forest's edge, their tiny enough to hide under leaves.

    'Innocent' Tricksters Although, lore describes these spirits as non-evil, they are very mischievous as they wander around the forests. Most commonly they will engage in misleading travelers on wrongful paths deeper into their kingdom of trees. The will eventually let most travelers go.

    A leshy has the ability to imitate voices of people familiar to wanderers.They will cry out and get their victims to wander deeper into forests or caves. Being tickled to death by a Leshy has been known to happen. This is most likely because they don't know when "to much fun" is enough and wind up killing their victims accidentally.

    Leshies have also been known to remove signs and steel axe heads from woodcutters.

    Pacts If a person manages to befriend a leshy, they will in return receive the secrets of magic. Farmers and shepherds would often make pacts with the leshy to protect their crops and sheep. A common way of attaining a pact is one would offer their cross from around their neck and share communion with the Leshy after church. Leshy's have been known to keep cattle from wandering too far into the forests and getting lost. Territorial Spirits If more than one leshy inhabits a forest, they will fight for territorial rights. The evidence is in the fallen trees scattered about and scared animals. Not Alone Their wives are referred to as leshachikha or leszachka and their children are called leshonky. A leshy and his family live together in the forest performing their mischievous deeds together.

  • #2
    Thanks some cool stuff there.


    • #3
      Here are some more creatures I think you will find interesting. Yowie, also known as Yayhoo, Youree, or Yahoo is a fanged humanoid marsupial, more likely a great ape, featured in Aboriginal mythology along with Australian Raptors and Burrunjor. The Yowie is considered to be the Australian Bigfoot, and contain many primate like features, possibly indicating that it is an undiscovered species of great ape (Gigantopithecus) or prehistoric human. The Yowie is described as being one of the most aggressive Sasquatch species, and has been reported tearing heads off of kangaroos and dogs. It has been seen attacking humans as well. However, that is rare.

      The Yowie is described to be around 4 to 9 feet tall, with a large red mouth and talon-like claws according to Aborginal legends. It is also noted that the Yowie contained two large fang-like canines which distinguish the Yowie from other Bigfoot species. It usually has brown or reddish fur.
      Like most Bigfoot species, it is theorized that the Yowie descends from an ancient ape called Gigantopithecus Blacki. While the Giganto-Bigfoot theory may be valid, it is highly unlikely that the Yowie descends from the same Asian ape, as creatures from Asia never made it to Australia due to sea depth and vice-versa, creatures from Australia never made it to Asia. This separation is marked by the Wallace Line.

      The Goatman is a humanoid cryptid most commonly associated with Louisiana, Maryland and Texas. It is described as a seven foot tall hybrid creature; part man and part goat. Some claim it is a relative of the New Orleans evil chupacabra-like cryptid the Grunch. The urban legends of them often tells of it killing young couples in parked cars or scouring neighborhoods killing family pets. There are also tales of them breaking into peoples' houses and raping its victims. And many attest from the areas that he haunts, it does not matter if your a man or woman, he will overtake you and rape you none the less. When scared teenagers whisper about Goatman, not all agree on the form he takes. Some say he was a man who kept goats and went mad after teenagers killed his flock, driven to seek revenge against any youngster. But perhaps the most titillating version traces the origin of Goatman to the Beltsville Agricultural Research Center, a sprawling USDA facility anchored by a big brick building appointed with white columns. In this version, a mad scientist is conducting experiments on a goat when something goes horribly wrong, turning him into a half man-half goat beast that is, naturally, hungry for blood.

      He may not be as famous as his cryptid cousins Bigfoot or the Loch Ness Monster, but Goatman has a devoted following. The stories began surfacing a “long, long, long” time ago, according to Dr. Barry Pearson, a folklorist at the University of Maryland. (Which happens to be in Prince Georges County and is home to a Goatman archive.) The Earliest sighting date back to 520 BCE as the Satyrs of Greek mythology, who held an almost identical role despite three thousand years.

      El chupacabra is a cryptid that is renowned for its attacks on livestock, hence the Spanish name "the goatsucker." It supposedly eats chickens, goats, and other farm animals and pets. It has been reported all over the Americas, specifically the Southwestern United States, Mexico and Puerto Rico. There are two common versions of the chupacabra. There is a reptilian kind, and a canid kind. There have been more than 2,000 sightings of the Chupacabra. When it sucks blood, it allegedly makes an odd noise.

      Their first known attacks were in March of 1995 in Puerto Rico. Eight sheep were discovered dead, each completely drained of blood. Investigators found three strange puncture wounds in the chests of the animals. Despite the odd circumstances, authorities could only attribute the killings to a known predator - a fox, perhaps. Others, however, recognized the similarities in these deaths to the enigmatic cattle mutilations which had been taking place in the American southwest with increasing regularity.
      The woman who first sighted the monster, Madelyne Tolentino, had an eyewitness description was the basis for the most famous drawing of the chupacabra in the world.

      In Canóvanas, about 30 citizens claimed to have seen the chupacabras, swearing that it had swooped down from the sky and leapt over treetops. It wasn't until November, 19, 1995 that a detailed description of chupacabras came from an eyewitness. On that autumn night in Puerto Rico, the creature struck again. Farmers awoke to a horrifying scene: dozens of turkeys, rabbits, goats, cats, dogs, horses and cows... dead, with no explainable cause. Just the mysterious markings left by the blood-drinking chupacabras.
      But in the north-central city of Caguas, a startled homeowner caught the world's first fleeting glimpse of the goat sucker. Described as having huge red eyes and hairy arms, the creature allegedly broke into the bedroom of the house through a window, tore apart a child's stuffed Teddy bear, and left a puddle of slime and a single piece of rancid meat on the windowsill before disappearing.

      Through the end of 1995, chupacabras had been blamed for more than 1,000 mysterious animals deaths - all resulting from blood loss through one or more puncture wounds. In that time, several more eyewitnesses came forward, consistently describing the the creature as being monkey-like, but having no tail. They characterized it has having large oval red eyes that sometimes glowed, gray skin, a long snake-like tongue, fangs, and long spinal quills that may double as wings. Those who saw it say chupacabras stands between four and five feet tall, hops like a kangaroo, and leaves a foul, sulfur-like stench. At the site of some deaths, unidentified three-toed tracks were found. Zoologists could think of no known animal that adequately fits this strange portrait. Later sightings across Mexico and United States described strange, hairless dog like creatures sucking the blood of chickens, cattle, goats and other livestock, until the Chupacabra became a widely known across the world.

      The Grunch Road Monster is an alleged chupacabra sighting in New Orleans. The Grunch is described to be an elaborate cross between the canid and reptilian chupacabras. New Orleans residents have so named the creature the Grunch. But sightings and tales unlike its cousins seems to go back farther in Louisiana history than in other areas of the world. The Grunch story supposedly goes back to the Crescent City's early roots.
      La Nouvelle-Orléans (New Orleans) was founded August 25, 1718 by the French Mississippi Company, under the direction of Jean-Baptiste Le Moyne de Bienville. It was named for Philippe II, Duke of Orléans, who was Regent of France at the time; his title came from the French city of Orléans. The French colony was ceded to the Spanish Empire in the Treaty of Paris (1763) and remained under Spanish control until 1801, when it reverted to French control. Most of the surviving architecture of the Vieux Carré (French Quarter) dates from this Spanish period. Napoleon sold the territory to the United States in the Louisiana Purchase in 1803. The city grew rapidly with influxes of Americans, French, and Creole French. Major commodity crops of sugar and cotton were cultivated with slave labor on large plantations outside the city. The earliest reports of the creature are said by locals to date to this period.

      As a principal port, New Orleans had the major role of any city during the antebellum era in the slave trade. Its port handled huge quantities of goods for export from the interior and import from other countries to be traded up the Mississippi River. The river was filled with steamboats, flatboats and sailing ships. At the same time, it had the most prosperous community of free persons of color in the South. Many old stories from people who's family were around at the time have passed many oral traditions down to us concerning the Grunch. Legend has it that the Grunch dates back to the days of New Orlean's early settlement and that its name Grunch comes from the name of a road.
      This Southern cryptid has been called The Vampire of Farbourgh Marigny, and Bywater area dating back to the early 1800's. The Legend of Marie Laveau tells of how some believe this form of chupacabra came into existence.
      An old Voodoo Hoodoo story says Marie Laveau Castrated the Devil Baby when he was born. Because she wanted him to produce no more of his evil kind. The two bloody testicles fell to the floor as she used a very sharp hoodoo voodoo blade. Immediately they turned into a male and female grunch, who it is said actually attacked the great Voodoo Queen Marie Laveau. The grunch are said to have almost killed her with their fierce bites and punching. The dark evil terror the old Voodoo Queen must have been unbearable as she struggled under their great strength before she fainted. When she awoke the Grunch and the Devil Baby were gone. Laveau was near death after this and many have said this is when Marie Laveau gave up her Voodoo Hoodoo ways and went back to being a good Catholic woman.

      New Orleans Grunch have many strange reported powers. I believe the stories about them come from the fact that the New Orleans Chupacabra is more visible then in other areas and has adapted itself more to it's surroundings unlike it's Texas, Mississippi and Floridian relatives.
      The most common description of The New Orleans Grunch or el Chupacabra is a goat-like being, appearing to have leathery or scaly black-gray skin and sharp spines, Long horns or quills running down its back. This creature stands approximately 3 to 4 feet (1 to 1.2 m) high. They are also said to seem more intelligent and have human like skills, able to open doors, use tools similar to how a monkey or primate would.
      It is said to howl like wolf, scream like a banshee or bellow and screech like an ape when alarmed, as well as leave a strong stench. Many reports note that the chupacabra's eyes glow an unusual red- orange or blue green. Some witnesses have reported seeing bat-like wings and a tail. Or long fur and goat like markings in grey on a black silky coat.
      Unlike conventional Louisiana swamp predators, this breed of chupacabra is said to drain all of the animal's blood (and sometimes organs) through a single hole not two holes.

      The Popobawa is an evil spirit that allegedly thrives on the island of Pemba, near Tanzania in Africa. It has caused mass panic over the years. The Popobawa is said to be a bat-like creature with one eye. It is medium sized and has leathery skin. In Swahili the Popobawa's name means "bat wing”.
      Popobawa is a shapeshifter and described as taking different forms, not just that of a bat as its name implies. It can take either human or animal form, and metamorphose from one into the other. Popobawa typically visits homesteads at night, but can also be seen in the daytime. It is sometimes associated with the presence of a sulfurous odor, but this is not always the case. Popobawa attacks men, women and children, and may attack all of the members of a household, before passing on to another house in the neighbourhood. Its nocturnal attacks can comprise simple physical assault and/or poltergeist-like phenomena; but most feared is sexual assault and the sodomising of adult men and women. Victims are often urged to tell others that they have been assaulted, and are threatened with repeated visits by the Popobawa if they do not. During Popobawa panics many people try to guard against attack by spending the night awake outside of their houses, often huddled around an open fire with other family members and neighbours. Panics occur most often in Zanzibar, throughout the island of Pemba and in the north and west of Unguja (Zanzibar) island, including Zanzibar town. Episodes have also been reported in Dar es Salaam and other towns on the mainland coast of Tanzania.


      • #4
        I've got another one. What about Dumah, the thousand-eyed silent Angel of Death? I have this vague memory from a collection of Jewish horror stories about a humanoid figure covered with icy blue eyes, with an entire head that was just a ball of eyes. He would stop time and only be seen by the one he had come for and sometimes a family member or loved one that happened to be close by. He carried a scimitar dripping with deadly poison, and if you stared too long into his eyes, you would be transfixed, and a drop of poison would fall from the tip of the blade into your wide-open mouth. The scimitar was used for violent deaths largely. If he came for you in your sleep he would suck the breath of life from you like a dementor. He was not an evil figure, but he had a job to do at any cost and only those who had lived long full lives would see him come for them as a friend.

        A god is just a monster you kneel to. - ArcaneArts, Quoting "Fall of Gods"


        • #5
          Here are some more entities that you might find interesting.

          To the aborigines living in the Western Patagonia sea channels, the nights are utterly without light, drowned in water, submerged by the menacing roar of the waves. His life is threatened by the terrors unseen in the dark and fire is his only ally. Watching from the depths, Ayayema, waits to make his move.

          Ayayema sleeps in the fathomless bottoms of the bog during the day and stalks it prey at night. He is master of the terrible Northwest wind that over turns boats and he makes the fire crackle and cast shadows over sleepers. He can also cause fires to burn out of control and destroy the shelters of the aborigine peoples. Ayayema is also capable of spreading disease and possessing the bodies of sleeping individuals to wreck havoc. When Ayayema wanders, he gives off a rotten stench that infects the grounds and people’s dreams. It is then necessary to move the village or camp.

          A rusalka (Russian: Русалка) is a water nymph,[1] a female spirit in Slavic mythology and folklore. The term is sometimes translated from Bulgarian, Belarusian, Russian and Ukrainian as "mermaid".

          According to Vladimir Propp, the original "rusalka" was an appellation used by Pagan Slavic tribes, who linked them with fertility and did not consider rusalki evil before the nineteenth century. They came out of the water in the spring to transfer life-giving moisture to the fields and thus helped nurture the crops.[2][3]

          In nineteenth century versions, a rusalka is an unquiet, dangerous being who is no longer alive, associated with the unclean spirit. According to Dmitry Zelenin,[4] young women, who either committed suicide by drowning due to an unhappy marriage (they might have been jilted by their lovers or abused and harassed by their much older husbands) or who were violently drowned against their will (especially after becoming pregnant with unwanted children), must live out their designated time on earth as rusalki. However, the initial Slavic lore suggests that not all rusalki occurrences were linked with death from water.[3]

          It is accounted by most stories that the soul of a young woman who had died in or near a river or a lake would come back to haunt that waterway. This undead rusalka is not invariably malevolent, and would be allowed to die in peace if her death is avenged. Her main purpose is, however, to lure young men, seduced by either her looks or her voice, into the depths of said waterways where she would entangle their feet with her long red hair and submerge them. Her body would instantly become very slippery and not allow the victim to cling on to her body in order to reach the surface. She would then wait until the victim had drowned, or, on some occasions, tickle them to death, as she laughed.[5] It is also believed, by a few accounts, that rusalki can change their appearance to match the tastes of men they are about to seduce, although a rusalka is generally considered to represent universal beauty, therefore is highly feared yet respected in Slavic culture.

          Samodivas (Bulgarian: Самодиви) or samovilas (Bulgarian: Самовили) or Víla are woodland fairies found in South- and West-Slavic folklore and mythology. In Romania they are known as Iele.

          According to folk beliefs Samodivas live inside huge old trees, in abandoned shacks or dark caves, near the rivers, ponds or wells. Mountains connected to them are Vitosha, Rudina, Belasitsa, Rila, Rodopi, the Balkan but Pirin is their favorite. They play and sing there or try their powers with the common heroes. Samodivas come on humans world and do this only during the spring and stay until autumn. During the winter they live in mythical village of Zmajkovo.

          Samodivas are believed to be very beautiful women with an affinity to fire. They have the power to bring about drought, burn a farmer's crops, or make cattle die of high fever. It is said that, when angered, a Samodiva would change her appearance and turn into a monstrous bird, capable of flinging fire at her enemies. This, combined with the power of their seductive voices, makes them somewhat similar to Harpies in Greek mythology. Their vindictive nature also complements this notion.
          They are usually hostile and dangerous to people. Men who gaze upon a Samodiva fall instantly in love (or at least in lust), and women go so far as to take their own lives at the sight of such beauty. Sometimes a Samodiva would seduce a man, commonly a shepherd or a trespasser in her forest, and take him as her lover. However, in doing so, she would take all of his life energy, his essence. The man would then become obsessed with the Samodiva and chase her relentlessly, unable to think about anything else (including his own nourishment). The Samodiva, fuelled by the energy stolen from her admirer, would then proceed to torture the man until he dies of exhaustion.
          Another important aspect of the myths surrounding samodivas is their dance. Neverending and beginning at midnight to finish at dawn, their dance symbolized the raw, and often harmful to the unprepared, energy of both nature and the supernatural world. Accompanied and following only the rhythm of the wind and their own singing, their dance was said to have been often witnessed by lost or late travellers, some of them choosing to join it, seduced by the beauty of their song and visage, only to die of exhaustion at dawn, when the samodivas finally disappeared.
          Much like the Vila in Slavic folklore, a Samodiva's power is believed to come mostly from her long (usually blond) hair. A samodiva would sometimes give a small portion of it to her lover to strengthen her control over him via its magical effects. However, if her hair is damaged in some way, she will either disappear entirely or be stripped of her powers and beauty.

          In Slavic folklore, a Samodiva can blind every person who sets eyes upon her. Whether or not the act of blinding is metaphorical (falling in love with the Samodiva) or a curse that has an actual physical manifestation is not known.

          In Bulgarian folklore, a Samodiva's close connection to the forest makes her knowledgeable about magical herbs and cures for all illnesses. It is said that if a person managed to eavesdrop on a gathering of Samodivas he could also gain knowledge of these remedies. In many stories this is exactly what the hero is forced to do to save a loved one, as a Samodiva would never share her secrets willingly.
          Balkan mythology holds that samodivas were actually the daughters of Lamia. This, combined with their mostly nocturnal nature, leads to them being considered more or less negative, or at best neutral in their nature.


          • #6
            There are some Fae entities that share the vampire trait of drinking human blood. Here are some Fae entities that might make interesting character inspiration for Admonitoria Characters.
            A baobhan sith (pronounced baa'-van shee) is a type of blood-sucking female fairy in Scottish mythology, similar to the banshee or leanan sídhe. Also known as "the White Women of the Scottish Highlands," they are beautiful seductresses who prey on young travelers by night.

            The baobhan sith bears similarities to both the faeries of its native Scotland and the vampires of other regions. It has the form of a woman of supernatural beauty wearing a green or white dress. Like faeries, the baobhan sith used their enchanting appearance to lure unwary travelers into secluded areas of the countryside. The baobhan sith would then invite the men to dance before attacking when their victims were off guard. They would then use their extremely sharp talons to puncture the neck. Using these holes the baobhan sith would suck the blood or, in older versions of the tale, the life force or even sexual potency from the victim. As with many vampires, the baobhan sith couldn't tolerate daylight and would return to their graves before sunrise.[3] In medieval versions of the tale, they are often depicted with cloven hooves, which they keep hidden under the dress.[4] They are portrayed as being unaccountably afraid of horses.

            The Patasola or "one foot" is one of many myths in South American folklore about female monsters from the jungle, appearing to male hunters or loggers in the middle of the wilderness when they think about women. The Patasola appears in the form of a beautiful and seductive woman, often in the likeness of a loved one, who lures a man away from his companions deep into the jungle. There, the Patasola reveals her true, hideous appearance as a one-legged creature with ferocious vampire-like lust for human flesh and blood, attacking and devouring the flesh or sucking the blood of her victims.

            The Patasola derives from vampire legend. According to popular belief, she inhabits mountain ranges, virgin forests, and other heavily wooded or jungle-like areas. At the edges of these places, and primarily at night, she lures male hunters, loggers, miners, millers, and animal herders. She also interferes with their daily activities. She blocks shortcuts through the jungle, disorients hunters, and throws hunting dogs off the scent of their game. The Patasola is usually regarded as protective of nature and the forest animals and unforgiving when humans enter their domains to alter or destroy them.
            Additionally, the exact name and attributes of the myth vary according to region. For example, a creature similar to La Patasola is called La Tunda in the Colombian Pacific Coast region. Other mythical creatures similar in description to La Patasola but differing in name are found throughout Latin America.

            La Patasola’s most notable feature, from which her name derives, is her one leg. She is believed to possess only one leg, which terminates in a cleaved bovine-like hoof and moves in a plantigrade fashion. Despite only possessing one leg, La Patasola can move swiftly through the jungle. In her natural state, La Patasola has a terrifying appearance; she is described as possessing one breast, bulging eyes, catlike fangs, a hooked nose, big lips, and tangled hair.
            La Patasola can metamorphose into different shapes and appearances. She commonly takes on the appearance of a beautiful woman to lure men to their death. She then uses her feline-type fangs to suck the blood from her victims. It is also believed that she can transform into other animals, materializing as a large black dog or cow.
            According to Javier Ocampo Lopez, when pleased, La Patasola climbs to the top of a tree or mountain and sings the following song:
            “I'm more than the siren / I live alone in the world: / and no one can resist me / because I am the Patasola. / On the road, at home, / on the mountain and the river, / in the air and in the clouds / all that exists is mine.”


            • #7
              A Lianhan Sidhe (often leanan sídhe, liannan shìth, or Leanhaun Shee) is one of the faery folk, typically a beautiful woman who takes a human lover and becomes his muse. Many consider her interest to be fatal, in a sort of vampiric way; while she inspires her mortal lover, she feeds off his life until he has no more to give. Personally, I don’t hold with such a dark description.

              Leanan Sidhe is often quoted as meaning “the fairy mistress” or the “fairy sweetheart”. She is a the famous Celtic muse with such a dark and unearthly beauty that her lover was often distraught with longing and suffering for her absence. In legend, the Leanan Sidhe often takes an artist for a lover, hence the title “the fairy sweetheart”. It is said that her lover gives her the vital depth of emotion that she craves and she in turn inspires his genius.

              He is the artist, who lost without his inspiration, unable to create his works of art and compositions of song, suffers in a deep depression and sometimes commits suicide or gives up his creative work in despair. Yet an artist who has lost the connection to his muse has failed to honor and nurture the gift he has been given. The role of the artist in the loss of his muse is not often considered or understood. The self destructive nature of many inspired artists probably lent itself to the misconception that she was evil and dangerous. Evil is not darkness, for darkness she is, and she can also be dangerous and destructive. When her gift is honored and nurtured, she shines as a luminous light in the darkness. For those who understand her true nature, who do not idolize or fear her, she is a sliver of moonlight in the blackest night.

              The most common and widespread myth attached to Leanan Sidhe is that she is a vampirish spirit who attaches herself to one man. To this man, an artist or poet, she appears irresistibly beautiful, and if he is seduced by her, he is ruined body and soul. This misunderstanding is not in keeping with her original purpose and is only as recent as Medieval Scotland when she was associated with the Christian superstition of the succubi. It was popularized in print by the poet W.B. Yeats who claimed that she was a “blood sucking vampire” This was a dramatic touch, but is more likely a symptom of the Victorian obsession with succubi along with a bit of poetic license. Unfortunately, most research on the subject of Leanan Sidhe goes back no farther than the account Yeats held of her. There is a rich and enduring history and deeper meaning to the name Leanan Sidhe that is much more interesting than the popular vampire fantasies.
              The translation of her name hold the first clue to who and what she is. The words are Gaelic and refer to a faery muse. “Leanan” means the love of my soul or spirit…my inspiration. “Sidhe” is the word for a faery. In Irish poetic tradition, she was the muse who appeared to the bard as the “Aisling” or vision. In his vision he meets her on a hillside and she then inspires music or poetry that has an otherworldly sadness and regret for the glorious past of the Irish. For those who settled the Celtic Countries, this could be a later translation of contact with the women of the Sidhe. The Sidhe are an ancient race who once made their home on the Green Islands long before the coming of the Irish. A race that remains to this day, an unannounced yet vital influence upon the imagination.

              Leanan Sidhe is a powerful muse who bestows a gift; the ability to create a work of art, music, or poetry with great depth of feeling. The price of her dark and delicate gift is often a sorrow or heartbreak that is born of obsession. An artist may be spent as furiously as he draws from his source, hence the mythos of the artist who when possessed of the Leanan Sidhe lives a brilliant but brief life. Her true purpose is revealed in the creative works she inspires in poets, painters, and musicians. She is an empath who is compelled to inspire love and despair, longing and desire. She teaches the beauty and power of such emotion and that all such feeling is vital to creation with many dark nights of the soul required to convey the sorrow of her history.


              • #8
                The Dracae
                THE Dracæ are a sort of water-spirits who inveigle women and children into the recesses which they inhabit, beneath lakes and rivers, by floating past them, on the surface of the water, in the shape of gold rings or cups. The women thus seized are employed as nurses, and after seven years are permitted to revisit earth. Gervase of Tilbury mentions one woman in particular who had been allured by observing a wooden dish, or cup, float by her, while she was washing clothes in the river. Being seized as soon as she reached the depths, she was conducted into one of the subterranean recesses, which she described as very magnificent, and employed as nurse to one of the brood of the hag who had allured her. During her residence in this capacity, having accidentally touched one of her eyes with an ointment of serpent's grease, she perceived, at her return to the world, that she had acquired the faculty of seeing the Dracæ, when they intermingle themselves with men. Of this power she was, however, deprived by the touch of her ghostly mistress, whom she had one day incautiously addressed. It is a curious fact that this story, in almost all its parts, is current in both the Highlands and Lowlands of Scotland, with no other variation than the substitution of Fairies for Dracæ, and the cavern of a hill for that of a river. Indeed many of the vulgar account it extremely dangerous to touch anything which they may happen to find without saining (blessing) it, the snares of the enemy being notorious and well-attested. A poor woman of Teviotdale having been fortunate enough, as she thought herself, to find a wooden beetle, at the very time when she needed such an implement, seized it without pronouncing a proper blessing, and, carrying it home, laid it above her bed to be ready for employment in the morning. At midnight the window of her cottage opened, and a loud voice was heard calling up some one within by a strange and uncouth name. The terrified cottager ejaculated a prayer, which, we may suppose, ensured her personal safety; while the enchanted implement of housewifery, tumbling from the bedstead, departed by the window with no small noise and precipitation.


                • #9
                  THE TROOPING FAIRIES.
                  The Irish word for fairy is sheehogue [sidheóg], a diminutive of "shee" in banshee. Fairies are deenee shee [daoine sidhe] (fairy people).
                  Who are they? "Fallen angels who were not good enough to be saved, nor bad enough to be lost," say the peasantry. "The gods of the earth," says the Book of Armagh. "The gods of pagan Ireland," say the Irish antiquarians, "the Tuatha De Danān, who, when no longer worshipped and fed with offerings, dwindled away in the popular imagination, and now are only a few spans high."
                  And they will tell you, in proof, that the names of fairy chiefs are the names of old Danān heroes, and the places where they especially gather together, Danān burying-places, and that the Tuath De Danān used also to be called the slooa-shee [sheagh sidhe] (the fairy host), or Marcra shee (the fairy cavalcade).
                  On the other hand, there is much evidence to prove them fallen angels. Witness the nature of the creatures, their caprice, their way of being good to the good and evil to the evil, having every charm but conscience--consistency. Beings so quickly offended that you must not speak much about them at all, and never call them anything but the "gentry", or else daoine maithe, which in English means good people, yet so easily pleased, they will do their best to keep misfortune away from you, if you leave a little milk for them on the window-sill over night. On the whole, the popular belief tells us most about them, telling us how they fell, and yet were not lost, because their evil was wholly without malice.
                  Are they "the gods of the earth"? Perhaps! Many poets, and all mystic and occult writers, in all ages and countries, have declared that behind the visible are chains on chains of conscious beings, who are not of heaven but of the earth, who have no inherent form but change according to their whim, or the mind that sees them. You cannot lift your hand without influencing and being influenced by hoards. The visible world is merely their skin. In dreams we go amongst them, and play with them, and combat with them. They are, perhaps, human souls in the crucible--these creatures of whim.
                  Do not think the fairies are always little. Everything is capricious about them, even their size. They seem to take what size or shape pleases them. Their chief occupations are feasting, fighting, and making love, and playing the most beautiful music. They have only one industrious person amongst them, the lepra-caun--the shoemaker. Perhaps they wear their shoes out with dancing. Near the village of Ballisodare is a little woman who lived amongst them seven years. When she came home she had no toes--she had danced them off.
                  They have three great festivals in the year--May Eve, Midsummer Eve, November Eve. On May Eve, every seventh year, they fight all round, but mostly on the "Plain-a-Bawn" (wherever that is), for the harvest, for the best ears of grain belong to them. An old man told me he saw them fight once; they tore the thatch off a house in the midst of it all. Had anyone else been near they would merely have seen a great wind whirling everything into the air as it passed. When the wind makes the straws and leaves whirl as it passes, that is the fairies, and the peasantry take off their hats and say, "God bless them".
                  On Midsummer Eve, when the bonfires are lighted on every hill in honour of St. John, the fairies are at their gayest, and sometimes steal away beautiful mortals to be their brides.
                  On November Eve they are at their gloomiest, for according to the old Gaelic reckoning, this is the first night of winter. This night they dance with the ghosts, and the pooka is abroad, and witches make their spells, and girls set a table with food in the name of the devil, that the fetch of their future lover may come through the window and eat of the food. After November Eve the blackberries are no longer wholesome, for the pooka has spoiled them.
                  When they are angry they paralyse men and cattle with their fairy darts.
                  When they are gay they sing. Many a poor girl has heard them, and pined away and died, for love of that singing. Plenty of the old beautiful tunes of Ireland are only their music, caught up by eavesdroppers. No wise peasant would hum "The Pretty Girl milking the Cow" near a fairy rath, for they are jealous, and do not like to hear their songs on clumsy mortal lips. Carolan, the last of the Irish bards, slept on a rath, and ever after the fairy tunes ran in his head, and made him the great man he was.
                  Do they die? Blake saw a fairy's funeral; but in Ireland we say they are immortal.


                  • #10
                    THE MERROW

                    The Merrow, of if you write it in the Irish, Moruadh or Murúghach, from muir, sea, and oigh, a maid, is not uncommon, they say, on the wilder coasts. The fishermen do not like to see them, for it always means coming gales. The male Merrows (if you can use such a phrase--I have never heard the masculine of Merrow) have green teeth, green hair, pig's eyes, and red noses; but their women are beautiful, for all their fish tails and the little duck-like scale between their fingers. Sometimes they prefer, small blame to them, good-looking fishermen to their sea lovers. Near Bantry in the last century, there is said to have been a woman covered all over with scales like a fish, who was descended from such a marriage. Sometimes they come out of the sea, and wander about the shore in the shape of little hornless cows. They have, when in their own shape, a red cap, called a cohullen druith, usually covered with feathers. If this is stolen, they cannot again go down under the waves.
                    Red is the colour of magic in every country, and has been so from the very earliest times. The caps of fairies and magicians are well-nigh always red.


                    • #11
                      LEPRACAUN. CLURICAUN. FAR DARRIG.
                      "The name Lepracaun," Mr. Douglas Hyde writes to me, "is from the Irish leith brog--i.e., the One-shoemaker, since he is generally seen working at a single shoe. It is spelt in Irish leith bhrogan, or leith phrogan, and is in some places pronounced Luchryman, as O'Kearney writes it in that very rare book, the Feis Tigh Chonain."
                      The Lepracaun, Cluricaun, and Far Darrig. Are these one spirit in different moods and shapes? Hardly two Irish writers are agreed. In many things these three fairies, if three, resemble each other. They are withered, old, and solitary, in every way unlike the sociable spirits of the first sections. They dress with all unfairy homeliness, and are, indeed, most sluttish, slouching, jeering, mischievous phantoms. They are the great practical jokers among the good people.
                      The Lepracaun makes shoes continually, and has grown very rich. Many treasure-crocks, buried of old in war-time, has he now for his own. In the early part of this century, according to Croker, in a newspaper office in Tipperary, they used to show a little shoe forgotten by a Lepracaun.
                      The Cluricaun, (Clobhair-ceann, in O'Kearney) makes himself drunk in gentlemen's cellars. Some suppose he is merely the Lepracaun on a spree. He is almost unknown in Connaught and the north.
                      The Far Darrig (fear dearg), which means the Red Man, for he wears a red cap and coat, busies himself with practical joking, especially with gruesome joking. This he does, and nothing else.
                      The Fear-Gorta (Man of Hunger) is an emaciated phantom that goes through the land in famine time, begging an alms and bringing good luck to the giver.
                      There are other solitary fairies, such as the House-spirit and the Water-sheerie, own brother to the English Jack-o'-Lantern; the Pooka and the Banshee--concerning these presently; the Dallahan, or headless phantom--one used to stand in a Sligo street on dark nights till lately; the Black Dog, a form, perhaps, of the Pooka. The ships at the Sligo quays are haunted sometimes by this spirit, who announces his presence by a sound like the flinging of all "the tin porringers in the world" down into the hold. He even follows them to sea.
                      The Leanhaun Shee (fairy mistress), seeks the love of mortals. If they refuse, she must be their slave; if they consent, they are hers, and can only escape by finding another to take their place. The fairy lives on their life, and they waste away. Death is no escape from her. She is the Gaelic muse, for she gives inspiration to those she persecutes. The Gaelic poets die young, for she is restless, and will not let them remain long on earth--this malignant phantom.
                      Besides these are divers monsters--the Augh-iska, the Water-horse, the Payshtha (píast = bestia), the Lake-dragon, and such like; but whether these be animals, fairies, or spirits, I know not.


                      • #12
                        THE POOKA

                        The Pooka, rectè Púca, seems essentially an animal spirit. Some derive his name from poc, a he-goat; and speculative persons consider him the forefather of Shakespeare's "Puck". On solitary mountains and among old ruins he lives, "grown monstrous with much solitude," and is of the race of the nightmare. "In the MS. story, called 'Mac-na-Michomhairle', of uncertain authorship," writes me Mr. Douglas Hyde, "we read that 'out of a certain hill in Leinster, there used to emerge as far as his middle, a plump, sleek, terrible steed, and speak in human voice to each person about November-day, and he was accustomed to give intelligent and proper answers to such as consulted him concerning all that would befall them until the November of next year. And the people used to leave gifts and presents at the hill until the coming of Patrick and the holy clergy.' This tradition appears to be a cognate one with that of the Púca." Yes! unless it were merely an augh-ishka[each-uisgé], or Water-horse. For these, we are told, were common once, and used to come out of the water to gallop on the sands and in the fields, and people would often go between them and the marge and bridle them, and they would make the finest of horses if only you could keep them away from the sight of the water; but if once they saw a glimpse of the water, they would plunge in with their rider, and tear him to pieces at the bottom. It being a November spirit, however, tells in favour of the Pooka, for November-day is sacred to the Pooka. It is hard to realise that wild, staring phantom grown sleek and civil.
                        He has many shapes--is now a horse, now an ass, now a bull, now a goat, now an eagle. Like all spirits, he is only half in the world of form.


                        • #13

                          The bean-sidhe (woman of the fairy may be an ancestral spirit appointed to forewarn members of certain ancient Irish families of their time of death. According to tradition, the banshee can only cry for five major Irish families: the O’Grady’s, the O’Neills, the O’Longs, the McCnaimhins, the O’Briens, the O’ Conchobhairs, and the Caomhanachs. Intermarriage has since extended this select list.Whatever her origins, the banshee chiefly appears in one of three guises: a young woman, a stately matron or a raddled old hag. These represent the triple aspects of the Celtic goddess of war and death, namely Badhbh, Macha and Mor-Rioghain.)

                          She usually wears either a grey, hooded cloak or the winding sheet or grave robe of the unshriven dead. She may also appear as a washer-woman, and is seen apparently washing the blood stained clothes of those who are about to die. In this guise she is known as the bean nighe or ban nigheachain (washing woman).

                          Although not always seen, her mourning call is heard, usually at night when someone is about to die. In 1437, King James I of Scotland was approached by an Irish seeress or banshee who foretold his murder at the instigation of the Earl of Atholl. This is an example of the banshee in human form. There are records of several human banshees or prophetesses attending the great houses of Ireland and the courts of local Irish kings. In some parts of Leinster, she is referred to as the bean chaointe (keening woman) whose wail can be so piercing that it shatters glass. In Kerry, the keen is experienced as a "low, pleasant singing"; in Tyrone as "the sound of two boards being struck together"; and onRathlin Island as"a thin, screeching sound somewhere between the wail of a woman and the moan of an owl".
                          The banshee may also appear in a variety of other forms, such as that of a hooded crow, stoat, hare and weasel - animals associated in Ireland with witchcraft.


                          • #14
                            Grogochs were originally half human, half-fairy aborigines who came from Kintyre in Scotland to settle in Ireland. The grogoch, well-known throughout north Antrim, Rathlin Island and parts of Donegal, may also to be found on the Isle of Man, where they are called 'phynnodderee'. Resembling a very small elderly man, though covered in coarse, dense reddish hair or fur, he wears no clothes, but sports a variety of twigs and dirt from his travels. Grogochs are not noted for their personal hygiene: there are no records of any female grogochs.
                            The grogoch is impervious to searing heat or freezing cold. His home may be a cave, hollow or cleft in the landscape. In numerous parts of the northern countryside are large leaning stones which are known as 'grogochs' houses'.
                            He has the power of invisibility and will often only allow certain trusted people to observe him. A very sociable being, the grogoch. He may even attach himself to certain individuals and help them with their planting and harvesting or with domestic chores - for no payment other than a jug of cream.

                            He will scuttle about the kitchen looking for odd jobs to do and will invariably get under people's feet. Like many other fairies, the grogoch has a great fear of the clergy and will not enter a house if a priest or minister is there. If the grogoch is becoming a nuisance, it is advisable to get a clergyman into the house and drive the creature away to inadvertently torment someone else.


                            • #15

                              The Kelpie is the supernatural shape-shifting water horse that haunts the rivers and streams of Scotland. It is probably one of the best known of Scottish water spirits and is often mistakenly thought to haunt lochs, which are the reserve of the Each Uisge.
                              The creature could take many forms and had an insatiable appetite for humans; its most common guise was that of a beautiful tame horse standing by the riverside - a tempting ride for a weary traveller. Anybody foolish enough to mount the horse - perhaps a stranger unaware of the local traditions - would find themselves in dire peril, as the horse would rear and charge headlong into the deepest part of the water, submerging with a noise like thunder to the travellers watery grave. The Kelpie was also said to warn of impending storms by wailing and howling, which would carry on through the tempest. This association with thunder - the sound its tail makes as it submerges under water - and storms, may be related to ancient worship of river and weather deities by the ancient Celts, although this is difficult to substantiate.

                              One of the other forms assumed by the Kelpie was that of a hairy humanoid, who would leap out from the riverside vegetation to attack passing travellers. Their grip was said to be like that of a vice, crushing the life out of anybody unfortunate enough to come within the Kelpies clutches.
                              The Kelpie was thought to inhabit rivers throughout Scotland, and one is recorded as being banished by St Columba from the River Ness, which later became associated with the Loch Ness Monster. Another Kelpie abode was the river Conon (Conan) in Perthshire, which was treacherous in flood, and associated with other dangerous water spirits.
                              There was one way in which a Kelpie could be defeated and tamed; the Kelpies power of shape shifting was said to reside in its bridle, and anybody who could claim possession of it could force the Kelpie to submit to their will. A Kelpie in subjugation was highly prized, it had the strength of at least 10 horses and the endurance of many more, but the fairy races were always dangerous captives especially those as malignant as the Kelpie. It was said that the MacGregor clan were in possession of a Kelpies bridle, passed down through the generations from when one of their clan managed to save himself from a Kelpie near Loch Slochd.
                              As I have mentioned above many of these water spirits may be related to ancient worship passed down in the diluted form of folk tales and legends. The wide distribution of the tales and the similarity in nature of water spirits lends weight to this argument. Water must have had a duel nature to our ancestors as a life giver but also a life taker reflected in the treachery of water spirits.