Originally posted by Jachra
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And yet, that exact sort of attitude killed the punk artistic movement as something that had any sort of cultural clout, and has rendered it a bunch of old hats clinging onto their youthful coolness that the actual young activist cultures have moved beyond.
I remember when the first 90s era punk bands that went mainstream did, and the punk community immediately labelled them as sellouts (despite not having actually changed their music). Instead of the punk community embracing the idea that their message was resonating with a wider audience - even people that didn't consider themselves into the punk scene itself - as a good thing, they rejected it. So we got the, generally, better post-punk revival acts that put the spirit of being punk over aesthetics, and all the shit punk-pop revival that put the aesthetics on a shiny hollow pop lyric.
Meanwhile all the OG punks were just shaking their heads at the next generation repeating the same thing that their generation of punks did that cause them to fall off the map during the 80s.
One of the problems with punk as a genre, is that it tends to turn into a circular firing squad as everyone wants to declare their vision of punk the "true" one and go after other punks for not being the right kind of punk, instead of remembering what brought them all together in the first place.
Just like punk subculture would have done better for itself if it left room for there to be mainstream successful punk bands, the WoD needs to have room for punks that make deals with the powers-that-be to try to spread the message to a wider audience and make it easier for people to get into the serious punk scene.
The WoD isn't being true to being punk when it gets prescriptivist about what is and isn't punk; instead of letting people explore all of punk's iterations.
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